Owen Clifton "OC" Cash
February 13, 1892–August 15, 1953
"Our Founder: The Apostle of Harmony"
By Deac Martin, as featured in The Harmonizer, September 1953
"A man who symbolized an important phase of an era is gone. The era was the 1890s and 1900s into the first World War; the phase was informal harmony singing of popular music. That music is important today because it reveals musical customs of an earlier era while its lyrics carry much of the thought and many events of those more tranquil days. Also by that time informal harmony singing had evolved into a distinct American pattern that was basically the same wherever four or more men able or willing to carry four parts got together..."
Owen Clifton Cash was molded by those times and by the life in the small towns in the Southwest where he spent his most impressionable years. Longing to restore the popular songs and singing customs of his youth and early manhood, songs and customs which were nearing the vanishing point in 1938, that year he headed a local movement in Tulsa to attempt to revive them. Within ten years he saw the results of that localized intent impressed indelibly across great cities as well as small towns of two nations in a different atomic age. The singing patterns were preserved along with the songs.
The Harmonizer of December, 1943 was dedicated to O. C. Cash by a foreword which said in part:
“Only rarely does America produce a son with the ability to open the nation’s eyes to what it has been missing in simple and wholesome pleasure that is easily attainable. Less often does such a one have the generosity to share his vision beyond his immediate environs; the conviction, courage, and tact to win others to his thinking; and the patience backed by driving force to attain an objective which holds no pot o’ gold reward . . . Cash has done more than spread wholesome enjoyment to the early 1940s; he has furnished the means to preserve a period rich in American traditions . . . It is conceivable that his Society may in the future be the connecting link between whatever generation is current, the one preceding it, and the one to follow, as oldsters and youngsters group in harmony”.
Fifteen years and an International status, as compared with the ambitious “national” hopes in 1943, have brought thousands of members into the Society to whom Cash is merely an honored name. Widespread retelling of the events leading to the formation of SPEBSQSA and its early struggles inevitably results in misinformation and some inaccuracies. The Society is fortunate that the march of events of those days is recorded in “Keep America Singing”, the book which covers highlights of the first 10 years, and that every word was approved by Owen Cash with a brief “That’s how it was” notation.
Past President Hal Staab (also deceased) led the drive to get those early years of the Society down on paper as the participants had lived them.
The book of the Society’s ten years does not include biographical facts about the founder, therefore, it is well to set down salient ones concerning the man and his early environment as well as some of his interests apart from the now famous harmony avocation.
When Owen was about age six his Baptist-minister father took the family from northern Missouri, where the boy had been born February 13, 1892, near the tiny hamlet of Keytesville in Chariton County, on a wagon trek over the dirt roads and trails to the Southwest. After a trip comparable with crossing Africa by motor car today they arrived in Catale in the Coo-Wee-Scoo-Wee District, Cherokee Nation, Indian Territory, to become a part of Oklahoma later. They set up housekeeping in a log house rented from an old Cherokee. Subsequently they lived in Vinita and in Blue Jacket where young Cash played in the Silver Cornet Band and began to get the feeling of baritone harmony. He graduated from Bacone College, Bacone, Okla. and was admitted to the Bar in that state in June, 1916. Next year he enrolled in the U. S. Army but was still waiting to go overseas when the First World War ended in 1919. Two years later he joined a subsidiary of the Standard Oil Company of Indiana as assistant tax commissioner, and in 1930 became tax commissioner of Stanolind, a Standard Oil pipe line subsidiary.
His profession as a tax lawyer led naturally into activities in the National Tax Association, the Oil Industries Information Committee, and the Mid-Continent Oil and Gas Association, while his public service duties included work in the Tulsa Chamber of Commerce and the Oklahoma Public Expenditures Council. More personally his affiliations included the Presbyterian Church, the Sons of the American Revolution, and the Tulsa Farm Club. The Cash ranch near Talala, Okla. is today a well run producing farm property. The owner’s weekend home is replete with mementos, photographs, sketches, and souvenirs of 15 years in SPEBSQSA.
The background, the activities, and accomplishments just outlined give a picture of a man who attained much comfort and strength through his sense of material order, intellectual order, and moral order. He was a prudent man.
His wife Corinne, his daughter Betty Anne (Mrs. Eugene A. Oathout), and his sister, Miss Idress Cash who took the long rough trail with small Owen to the Cherokee Nation so long ago are justifiably proud of the one who earned the title of Good Citizen before the outside world knew him as the “Apostle of Harmony”.
Owen Cash’s prudence was something that friends and associates took for granted. In consequence in countless places he will be remembered more for his humanness and his sense of humor. At its finest that Cash humor is preserved in the name of our Society and in the title with which he endowed himself. The invitation to the original meeting at the Tulsa Club, April 11, 1938, was signed by Rupert I. Hall, “Royal Keeper of the Minor Keys” and by O. C. Cash, “Third Assistant Temporary Vice Chairman” of “The Society for Preservation and Propagation of Barber Shop Quartet Singing in the United States”. Shortly after, Propagation was changed to Encouragement and he took in all of America. Still later he headed his own title with “Founder and Permanent . . .”. The combination of the grandiose applied to such a hobby and the obvious tongue-in-cheek dig at the spreading alphabetical agencies of the New Deal smacks of Mark Twain with overtones of Will Rogers, all three of them sons of the mid-states.
During the Society’s first year he announced intentions to petition WPA (an emergency agency) for $9,999,999.99 to survey the male vocal range, nationwide. Before the first Convention-Contest in Tulsa, June 1939, he solemnly informed news reporters that Herbert Hoover, Alfred Landon, “Al” Smith, and James Farley, top names in the news of the day, would be “invited to Tulsa” to sing in a quartet.
At New Year, 1942, many Society members received a certificate from Cash raising them to the status of “Ex-Okies” since they had “harmonized successfully . . . with the famous Okie Four—World’s foremost exponents of barbershop harmony” with which quartet he sang an enthusiastic baritone.
His humor was gentle, frequently keyed to some element of self-depreciation, hardly every conceived in terms which might embarrass anyone or make the butt of the humor uncomfortable. These excerpts from The Founder’s Column in the Harmonizer are typical: After the Grand Rapids Convention-Contest, 1942, the Column carried the complaint that the judges were “deef”. “The Okies sang in the first preliminary and from all unbiased reports went over big with the audience, but just to show you how incompetent and prejudiced the judges were, one of them came rushing over and said the Okies have the honor of being the first quartet eliminated. I can’t understand it, until I found out one was a lantern maker (past pres. Embury). The continual hammering and picking away on them tin lanterns has made him deef as a board. Then there was Reagan who was an electrician by trade (Maurice Reagan is a great authority on electronics).”
Writing of a get-together in Detroit, “Huck Sinclair and me was setting around, listening to all them sweet chords and wiping our eyes and Huck said between sniffles ‘Cash, I never knowed I had so many friends or could sing so good'”.
He wrote to an out-of-town banker who had inquired about membership in the Society, “There is nothing that so quickly and effectively restores the respectability of a banker as joining up with SPEBSQSA. Because of the warm hearts and generous souls of our club the rules have been amended to allow bankers to join . . .”
In 1945 commenting upon the Sweet Adeline organization Cash said in part: “It is a shame this had to come up just when we were getting along so peacefully. I am bewildered, confused, and all messed up besides . . . hoping you are the same”.
Some of his early columns were treasures of Americana. The May 1945 Harmonizer narrates in detail how they left Missouri and landed in the Cherokee Nation, the need for schooling for the children and how his preacher-father picked out a tramp who had been kicked off a Frisco freight train and got him to teach school (where he did a perfect job of moral as well as formal education of the little pupils) until the U. S. Marshal walked into the school house one day, “Pearl handled six shooters dangling from his wide cartridge belt” and took the teacher away to finish his penitentiary sentence back East. It is Cash narration at its best, bright-hued with local coloring and brimming over with smiles.
The Harmonizer, September, 1953
Owen Cash and the Society in 1953
What was Cash’s attitude toward the way the Society was handled after he turned the reins over to succeeding Boards and administrators, and based upon the actions of those administrators, what did he think of the organization’s future?
He followed with keen interest the many intricate phases of expansion throughout Canada as well as the States. In general he had nothing but praise for the administration of the international organization, the districts, and the chapters, though in the late ’40s he expressed some concern over the possibility that the influx of younger members, reared in a different school of harmony (“and life”), might “wean the Society away from barbershop”, particularly because of the intense competition in contests “where they’ve got to throw the book at the judges”.
He said: “It that were ever to occur, the Society might not last long because it would dump overboard the very thing that made it”, and has kept it unique and apart from other singing organizations, meaning its distinctive style of harmony with an appeal to all sorts, degrees, and ages of music appreciation.
But in 1953 he said he had ceased to worry “too much” on that point which would reduce SPEBSQSA to the level of comparison with other musical groups, professional and amateur. “We’ve got some good heads; they won’t let the Society drop what we stand for”. He listened to the plans of the Committee on Long Range Planning as expressed at the first meeting of the House of Delegates in Detroit, June, 1953, when Dean Snyder, Committee chairman, said to the House in part: “‘The old order passeth, giving way to the new’ . . . It is evidence both of our vigor and our maturity that we could make this significant change so smoothly . . .” He cited the many activities now possible to give outlets for the energy and interests of every member, including opportunities for craftsmanship in the technically musical phases of barbershop harmony. In closing he quoted Alfred Noyes: “‘If I looked farther ahead, it was because I stood on giant shoulders’. Here in the presence of our founder, our past presidents, and other ‘statesmen’ of our Society, these words have special significance”.
Afterward, when asked what he thought of the plans for the future, the founder said: “They’re sound; we’ll keep on having good leaders”; this from one who in earlier years had felt, with many other seniors, that note singing was beneath the contempt of a “true barbershopper”, but who now endorsed the technicalities of music as one of the things helpful to the Society’s advancement thus far, and necessary for the future.
The man who symbolized an important phase of an era is gone. But for his particular fitness to be the nucleus in the Society’s tentative stage of development, that phase of the 1890s and 1900s might not have been projected into this age to give untold pleasure to participants and those who love to hear harmony. Fifteen years of the Society constitute a proving period of sufficient time under varied conditions in urban and rural areas to demonstrate that popular songs sung in the traditional barbershop pattern are still important in the atomic age.
The man who was the symbol of the preservation and encouragement of such singing had faith that its traditions will be passed along by a generation twice removed from his own, though just as actively interested and even more proficient within this Society. “They won’t let the Society drop what we stand for” he said.
The Harmonizer, September, 1953
Society Hall of Fame Members
The Barbershop Harmony Society Hall of Fame was established by action of the Society Board of Directors as a means of bestowing Society recognition and honor to members and quartets — living or dead — for exceptional contributions made that have enhanced the life blood of the barbershop experience for the Society. Honorees are selected by a majority vote of a five-man committee, each committeeman serving a five year term; terms are staggered so that each year the current Society president selects the chairman and the replacement for the retiring member.
Any living or deceased Society member, Society staff member, or quartet, with the exception of the current Society President and/or any current Hall of Fame committee member, is eligible for nomination. Quartet nominations are considered to be for the quartet as an entity and not as individuals. Honorees are selected by a majority vote of the committee, and there is no maximum or minimum limit on the number of inductees in a given year.
The award criteria used by the committee fall into general categories of music and administration/leadership. In music, judging, arranging, composing, chorus directing, coaching and singing are important. In administration/leadership, service as an officer, advisor, and in planning, writing or editing are considered.
2019: Dr. Jim Henry
Jim Henry was born into a barbershop family—both his father, Bob Henry, and mother, Rose Manion, were barbershop singers. He joined the Society in 1975 at the age of 11 as a member of the Daniel Boone Chorus, which later changed its name to the Ambassadors of Harmony. He became the director of the Ambassadors in 1991 and went on to lead the chorus to 15 medals including 4 gold medals.
A 44-year member of the Barbershop Harmony Society, Jim is a two-time BHS International quartet champion bass, and a four-time international chorus champion director.
2018: Dr. Ray Danley and the Easternaires Quartet
Dr. Ray Danley joined the society in 1957. Since then, he has helped write the Society’s first Chorus Director’s Manual in 1973, qualified as a semifinalist in the International Quartet Competition for seven consecutive years, taught as a faculty member at Harmony University from 1958 to 1967, (and loving it so much that he came back in 2001 and stayed until 2015). In 1977, Ray directed the Scarborough Dukes of Harmony, who became the first competitor - either quartet or chorus - from outside of the United States to win gold. Not only that, but Ray has advocated his love of harmony by sharing it with countless others, increasing membership of his local Simcoe Chapter, Gentlemen of Harmony, from 32 in 2001 to 84 in 2015.
Nominator Steven Armstrong, now director of the Toronto Northern Lights and the 2013 International Chorus Champions, sums up Ray’s dedication eloquently, saying, “[Ray] did what he did because he loved making music and loved helping other people experience making music at a higher level. Ray has demonstrated that in addition to his rare feat of being a multiple gold medal winning chorus director, he was a Hall of Fame barbershopper in the ways that he so generously gave of his time to develop the singers, directors and teachers that would follow him."
Nominator Richard Mori describes the Easternaires Quartet as being “one of the most entertaining groups of all time.” The Easternaires competed over three decades, earning three medals in the International Quartet Contest, finishing in the top 10 nine times, and placing in the top twenty in every contest in which they competed. They were featured on national TV multiple times, appearing on the “Arthur Godfrey’s Talent Scout” TV show in the 1950s -- a competition they won -- and on "Keefe Brassell's Variety Garden" in the 1960's. They performed in The Music Man on Broadway, replacing the Buffalo Bills when they left the show to make the movie, and they also toured with the Music Man National Company.
While there were 13 different members in the Easternaires over its life, the Hall of Fame Committee has decided to induct the following six:
- Eddy Ryan (Tenor)
- Danny Heyburn (Tenor/Lead)
- Tommy Dames (Lead/Tenor)
- Bob Bohn (Baritone/Bass)
- Bill Annichiarico (Bass)
- Dave Mittelstadt (Baritone)
The "Easternaires" were considered by many to be “just ahead of their time” and, while they were very popular with the general public, they now hold a special place in the hearts and minds of thousands of barbershoppers who continue to sing baritone Bob Bohn’s inspiring and creative arrangements to this day.
2017: Dr. Robert G. (Rob) Hopkins
In his 42 years of membership in the Barbershop Harmony Society,
Rob Hopkins has touched the lives of most of our members. His influence has been felt in many different areas of the Barbershop Harmony Society—judging, arranging, coaching, quartet and chorus performance, and administration—from chapter level to Society President. His leadership in every area has had a significant positive effect on the Society, and he is a deserving member of the Barbershop Harmony Society Hall of Fame.
Experienced as an Arrangement Judge and Category Specialist, Chairman of Judges, and then Chairman of the Contest and Judging Committee and Music Judge, Rob led the efforts to revise the judging program and establish new judging categories of Music, Singing, Presentation, and
Contest Administrator. These changes made a considerable impact on the musical excellence of the organization and initiated a wonderfully creative blossoming of contest performances.
Rob’s Ph.D. in Music Theory and History and arrangement talents have made him a highly sought-after coach to work with quartets and choruses, many of whom have gone on to achieve high standing at International competitions. In addition, his talents have earned him two Seneca Land District Quartet Championships as well as six International Chorus Contest appearances, including this year in Las Vegas. His 220 song arrangements span the spectrum from easy learning for the newest Barbershopper to international-quality songs for quartets and choruses competing on the International stage. In addition, he has often served as a faculty member and coach at many Harmony Education Schools around the Society.
2016: John Douglas Miller and The Four Renegades
Perhaps there is no one who has given so much of himself to the art form of barbershop as John Miller. Not only has he lent his heart to excellent performance, but his devotion to advancing the mission and spreading the spirit of barbershop harmony is evident in every aspect of his life.
An undeniable talent, John won two quartet gold medals singing bass: with Grandma’s Boys in 1979 and with The New Tradition in 1985. Particularly notable was his comedic role as Groucho in the Marx Brothers set in the 1985 finals. The performance was unforgettable to the audience, and it added a new dimension to quartet comedy on the contest stage.
However, John’s leadership and selflessness are really the hallmarks of his lifelong dedication to the Barbershop Harmony Society. He has not only served on the Society Board and led a number of committees over the years, but he has used his influence as a national media executive to gain unprecedented exposure for the experience of barbershop. Placements on the Comcast Channel and The Today Show piped harmony into the homes of millions and raised awareness of the joy of singing.
Along with wife Sharon, John transformed his simple hobby into a family activity. Two of their sons have performed in medalist choruses and have made careers of the arts. Together, the Millers have become lead donors and active advocates for the Harmony Foundation with sponsorships, leadership positions and innovative funding efforts.
49 years as a Society member. 45 conventions. A life of singing, sharing, shaping and encouraging. The Barbershop Harmony Society is honored to include John Miller in its Hall of Fame.
The Four Renegades quartet, International Champions of 1965, consisted of Warren “Buzz” Haeger, tenor, Ben Williams, lead, Jim Foley, baritone, and Tom Felgen, bass. The quartet was organized late in 1956 and placed 10th at their first International Contest in 1957. They continued to fare well with their original lead, Joe Sullivan, through a third place finish in 1962 and a fourth place finish in 1963, after which Joe stepped down and Ben came on board for a second place finish in 1964. The Four Renegades won the gold in Boston the following year.
They proved to be one of the most popular champions of all time as they entertained throughout the barbershop world with wonderful tunes such as “Mr. Bassman” and “They Were All Out of Step But Jim”. Barbershoppers still sing the tag they made famous: Last Night Was the End of the World. Jim Foley had the audience in stitches with stories about his wife’s cooking. But in addition to great humor, they could tug on the heart strings with such tunes as “The Boy I Used to Be” and “Lost in the Stars”. They recorded two albums which became classics. They left a lasting legacy of songs still sung today. They were truly among the greatest of BHS quartet champions.
We are proud to honor The Four Renegades by inducting them into the Barbershop Harmony Society’s Hall of Fame.
2015: Dealer's Choice
The Dealer’s Choice, from Dallas, came together as the foursome consisting of tenor Al Kvanli, lead Bill Thornton, baritone Brian Beck and bass Gary Parker when Brian joined the other three in early 1972.In August of that year, they had a life-changing experience at Harmony College, then held in Racine, Wisconsin, where they came under the influence of coaches Mac Huff and Don Clause. Huff introduced them to his innovative approach to vowel matching and vowel migration and used the quartet as a “guinea pig” for these then-novel techniques.The quartet adopted his approach, invited Clause to be their coach and won the international contest the next year, 1973, in Portland – becoming the first quartet to win the gold at their first international contest since the Four Teens of 1952.
2014: Mo Rector, Boston Common, and 139th Street Quartet
Morris Franklin “Mo” Rector* Composer, arranger, coach, chorus director, teacher, and double gold medalist with 1958 International Champion The Gaynotes, and 1969 Champion Mark IV
Boston Common 1980 International Champion, Kent Martin, Rich Knapp, Larry Tully and Terry Clarke.
139th Street Quartet Multiple-Medalists and founders of the College Quartet Contest. John Sherburn, Doug Anderson, Jim Kline, and Pete Neushul. Also recognized are former Leads Jim Meehan, Larry Wright, and Dan Jordan.
2013: Greg Backwell, Dr. Greg Lyne, and Charles David "Bub" Thomas
Greg Backwell: prolific arranger, designer, entertainer, coach, chorus director, and tenor of The Nighthawks, four-time medalist quartet.
Dr. Greg Lyne: Musician, director, educator, coach, arranger, and judge. Former Society staff member, and directed two choruses to four gold medals, West Towns Chorus and Masters of Harmony.
Charles David “Bub” Thomas: Professional cartoonist, baker, comedian, nightclub entertainer, actor, ventriloquist, dancer, singer, and emcee.
Dave LaBar Emcee Award Recipients
The Dave LaBar Emcee award, named for one of our departed Society giants, honors an individual who embodies greatness in the “Art of the Emcee.” The Dave LaBar Emcee award is awarded to an individual who:
- Has achieved outstanding success at the chapter, district, and international levels as an emcee.
- Understands how to communicate with the audience as both a presenter and an entertainer when appropriate.
- Has always used material that is suitable for barbershop audiences of all ages.
- Is always prepared and is very comfortable when addressing the audience by developing an excellent rapport.
Past Recipients Include:
Jack Smith, Bob Morrissey (posthumously), 2019
Tim Stivers, Terry Clarke (posthumously), 2018
Ray Henders, Hugh Ingraham 2017
Bob Cearnal, Freddie King 2015
Dan Henry Bowser, Lloyd Steinkamp (posthumously) 2014
Mike Maino 2013
Judd Orff 2012
Ev Nau 2011
Keith Hopkins 2010
J. Carl Hancuff 2009
Doran McTaggart 2008
Terry Aramian 2007
Celebrities in Barbershop
Through the years, more than 250,000 people have been accepted for membership in our Society, from all walks of life. Some of these people have been “celebrities” and well known public figures in the fields of politics, sports and entertainment.
While most have been card carrying members, some have been associated with the Society as celebrity supporters, and some have been named as Honorary Members* of the Barbershop Harmony Society.
John Ashcroft (1942 – present) Senator (R-MO) Attorney General / The Singing Senators
Art Baker (1898 – 1966) Radio and television personality, actor
Ned Beatty (1937 – present) Academy Award nominated Actor / Network
Irving Berlin (1888 – 1989) * Composer of “God Bless America”, “White Christmas”
Victor Borge (1909 – 2000)* Pianist, comedian
The Buffalo Bills – Famous quartet from The Music Man on Broadway and film, 1950 international quartet champion
The Chordettes (1946) American female popular singing quartet, best known for their hit songs "Mr. Sandman" and "Lollipop"
Bobby Bragan (1917 – 2010) Professional baseball player/manager/Phillies/Braves
Greg Buttle (1954 – present) Professional football player – NY Jets, Linebacker
Mike Conaway (1948 – present) U.S. Congressman (R-TX) The Singing Senators
Bing Crosby (1903 – 1977) Singer, actor, Barbershop Harmony Society board member
Bob Flanigan (1926 – present)* Member, The Four Freshmen
William Frawley (1887 – 1966) Song & Dance man / Actor – I Love Lucy (Fred Mertz)
Bill Gaither (1936 – present)* Gospel Singer / Producer / Grammy and Dove award winner
Arthur Godfrey* (1903 – 1983) Radio and television personality
James Gregory (1911 – 2002) Actor – TV & Film – Captain Luger on Barney Miller
Ferde Grofé (1892 – 1972) Composer of classical music; “Grand Canyon Suite”
Bill Hanna (1910 – 2001)* Creator of The Flintstones, many other television cartoon series
Lynn Hauldren (1922 – 2011) TV / Empire Carpet pitchman
Tom Henrich (1913 – 2009) Professional baseball player Yankees RF
Burl Ives (1909 – 1995) Folk singer, actor, Oscar winner
Jim Jeffords (1934 – present) Senator (R/I – VT) The Singing Senators
Jim Jordan (1896 – 1988) Star of “Fibber McGee and Molly” radio series
The King’s Men – Professional quartet, regulars on “Fibber McGee and Molly”
Bob Lally (1934 – present) TV director, The Jeffersons / Mary Hartman, Mary Hartman
Chester Lauck (1902 – 1980) Lum of “Lum ‘n’ Abner” radio series
Gordon Lightfoot (1938 – present)* Pop singer, composer “If You Could Read my Mind, Love”, “Sundown”, “Wreck of the Edmund Fitzgerald”
Trent Lott (1941 – present) Senator (D-MS) / The Singing Senators
Groucho Marx (1890 – 1977) Actor, comedian, host of “You Bet Your Life”
James Melton (1904 – 1961) Opera singer
George Mikan Jr. (1924 – 2005) NBA superstar – Minneapolis Lakers (6′ 10″)
Miles Middough (1922-2009) Production manager Little House on the Prairie
Mitch Miller (1911 – 2010)* Orchestra leader, host “Sing Along with Mitch” TV show
Sherrill Milnes (1935 – present)* Opera singer
John Miller (1950 – present) Executive vice-president, NBC television network
Burt Mustin (1884 – 1977) Actor – television and film
Pat O’Brien (1899-1983) Actor Angels with Dirty Faces / Ragtime
The Osmond Brothers* Preteen quartet, later pop music stars
Jerold Ottley (1934 – present)* Former music director Mormon Tabernacle Choir
Jim Pike (1938 – present)* Member, The Lettermen
Gene Puerling (1929 – 2008)* Singer and Arranger / The Hi-Los and Singers Unlimited
Mike Rowe (1962 – present) Dirty Jobs TV show / Spokesman Ford Motors
William Sessions (1930 – present) Director, Federal Bureau of Investigations
Micah Sloat (1981 – present) Actor – lead role, Paranormal Activity 1 & 2
Alfred E. Smith (1873 – 1944) Governor of New York
Sigmund Spaeth (1885 – 1965) Music critic, “The Tune Detective”
The Sportsmen – Professional quartet, regulars on Jack Benny radio series
Harry S. Truman (1884 – 1972) 33rd President of the United States
Dick Van Dyke (1925 – present)* Television and film actor, singer
Fred Waring (1900 – 1984)* Choral conductor, leader of the Pennsylvanians
Rudy Wissler (1928-2007) Actor / Singing voice of Scotty Beckett in The Jolson Story
Meredith Willson (1902 – 1984)* Author and composer of The Music Man
Neyla Pekarek (b. 1986) Cellist, vocalist, and pianist, and member of the folk rock band The Lumineers from 2010 to 2018
Lourde (b. 1996) New Zealand singer, songwriter, and record producer
Past Society Presidents
From 1938 to now, we've had a lot of fantastic presidents throughout the years.
View the full list
Rupert Hall, 1939
Norm Rathert, 1940
Carroll Adams, 1941
Hal Staab, 1942 – 1943
Phil Embury, 1944 -1945
Frank Thorne, 1946
Charlie Merrill, 1947
O.H. “King” Cole, 1948 – 1949
Jerry Beeler, 1950
Jim Knipe, 1951
Ed Smith, 1952
Johnny Means, 1953
Berney Simner, 1954
Arthur Merrill, 1955
Rowland Davis, 1956
Joe Lewis, 1957 – 1958
Clarence Jalving, 1959 – 1960
John Cullen, 1961
Lou Laurel, 1962
S. Wayne Foor, 1963
Dan Waselchuck, 1964
Albert L. Smith, 1965
Reedie Wright, 1966
James Steedman, 1967
Wesley Meier, 1968
Bob Gall, 1969
Wilbur Sparks, 1970
Ralph Ribble, 1971
Richard DeMontmollin, 1972
Charles Abernathy, 1973
Leon Avakian, 1974
Richard Ellenberger, 1975
Plummer Collins, 1976
Sam Aramian, 1977
Roger Thomas, 1978
Ernie Hills, 1979
Les Hesketh, 1980
Burt Huish, 1981
Merritt Auman, 1982
Hank Vomacka, 1983
John Gillespie, 1984
Gil Lefholz, 1985-1986
Bill Parks, 1986
Darryl Flinn, 1987
Jim Warner, 1988
Jim Richards, 1989
Charlie McCann, 1990
Bob Cearnal, 1991
Terry Aramian, 1992
Ernie Nickoson, 1993-1994
Dick Shaw, 1995
Tim Hanrahan, 1996-1997
Ed Waesche, 1998-1999
Chuck Watson, 2000-2001
Roger Lewis, 2002-2003
Rob Hopkins, 2004-2005
Drayton Justus, 2006
Noah Funderburg, 2007-2008
Bill Biffle, 2009-2010
Alan Lamson, 2011-2012
Shannon Elswick, 2013-2014
Don Fuson, 2015-2016
Skipp Kropp, 2017-2018